USAGE OF 12 ANIMATION PRINCIPLES IN THE WAYANG KULIT PERFORMANCES

Authors

  • Ming Hsin Tsai
  • Andi Tenri Elle Hapsari

DOI:

https://doi.org/10.61769/telematika.v6i1.42

Abstract

Wayang Kulit has been known as one of the oldest
animation; however, there is no definitive methodology that
supports the development process of these animation performances
that we know nowadays. This paper aims to give an overview of
using the famous 12 principles of animation in the Wayang Kulit
performance. A qualitative study of the Wayang Kulit
Performances is described, aiming at finding the similarities
between the traditional animation techniques and those techniques
used in this shadow puppet shows.

References

[1] Arkinson, David. “What is Animation”, Center of Animation &

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http://minyos.its.rmit.edu.au/aim/a_notes/anim_intro.html

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computer animation”, In Proceedings of ACM SIGGRAPH on

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[3] Pilling, J, (Ed.), “A Reader in Animation Studies”, P.xi, John

Libbey and Company, Sydney, 1997.

[4] Rymaszewski, M., Au W.J., Wallace, M., Winters, C., Ondrejka, C.,

Batstone-Cunningham, B.. “Second Life – The official guide.”, Sybex,

San Fransisco, 2006.

[5] Soekatno, "Wayang Kulit Purwa: Klasifikasi, Jenis dan Sejarahnya”,

Aneka Ilmu, Semarang, 1992.

[6] Thomas, Frank; Johnston, Ollie, “Disney animation: the illusion of

life”, Abbeville Press, New York, 1981.

[7] http://en.wikipedia.org/wiki/History_of_ animation

[8] Haryanto, S., “Seni Kriya Wayang Kulit: Seni Rupa, Tatahan dan

Sunggingan”, p.31, Pustaka Utama Grafiti, Jakarta, 1991..

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Published

2015-05-06

Issue

Vol. 6 No. 1 (2010)

Section

Articles

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